spectators : sports :: music : _____________.
- composition
- measures
- appreciation
- musicians
For many in the fine arts education, sports and athletic events are the bane of their existence. "Why are our positions cut when there are seven full-time coaches for a team that hasn't had a winning season in twenty-five years?" The disparity between the public's support of sport and their support of the arts is disheartening. So much time, energy, money, and moral is given to a very few, even when their performance is dismal.
Tempting as it may be, it is unfair to saddle physical education with the baggage of football, basketball, and soccer, to name a few, because sports and athletics are not synonymous with physical education. In truth, music education and physical education have more similarities than differences. Consider one of the most basic goals of a quality physical education, maintaining an active physically fit body.
Let's consider typical college or professional football fans. There are millions of people who can dissect a specific play and tell you why it worked perfectly or who missed his block, or can tell you what personnel should be on the field for a third and ten situation, or can predict what "move" can get the safety running the wrong way. There are millions of people who study and analyze scouting reports and injury lists, who read everything available on the Internet, who follow their teams on-line, on the television, and on the field. In one sense of the word, they are actively involved in sports and athletics. And yet, is this the activity that those in physical education advocate? I would say not really. I think we could agree that active participation in team sports or individual sports should be physical and it involves individual action. Watching a game from the comfort of an easy chair or a local bar or at a stadium is a spectator sport that requires little physical exertion and this may not be the same kind of active involvement in athletics that the Presidential Fitness Challenge hopes to influence.
But what about a fan of music? There are millions of people who can dissect a performance of a selection and tell you how it compares to the definitive performance, or tell you which parts were out of tune or out of time with the ensemble, or how they might have adjusted the tempo here or added a bit more rubato there, or how the choir's diction could have been improved. They can also rattle of a list of compositions by other composers that are far superior, or inferior, to the one that was just performed. There are millions of people who follow their favorite performing artists or composers on-line or on the radio or on the television. They can tell you their evolution as musicians and can compare and contrast an up-and-coming artist to a legend from the past. They even support their favorite musicians by purchasing concert tickets and audio recordings. So are they actively involved in music?
On the one hand, yes, anyone who alters their behavior to read, or attend, or buy something makes active decisions and can be said to be actively involved. Therefore, reading about musical artists or attending concerts or buying recordings is active involvement. On the other hand, these activities are similar to sports fans who support their team with their attendance. Therefore, should we reconsider what it means to be actively involved in music? If the Presidential Fitness Challenge encourages everyone to become active, to exert themselves for their overall physical health, then is it logical to challenge others to become active makers of music for their overall musical health? Could changing the way we envision our nation as consumers of music to a nation of active recreational music makers alter the way we promote lifelong involvement in music in our PK-12 compulsory educational system?
I am far away from sports. As far as my sport education goes, I played ball games in the backyard with my peers, watched a few hockey tournaments on TV, took chess as sport in college, and run away from the ball when I had to upgrade to "real" college soccer . These days I am not involved in any passive nor active sport-making except that I take walks to manage my physical and mental state. I think the only reason that nobody had my head yet is that I am a foreigner and therefore being forgiven. In no way I am trying to say that people are not interested in sports in places I grew up. It is just happened this way, perhaps because "intellectual" skills were of a higher value than physical in my family.
ReplyDeleteDue to my profession and character I love to observe. Speaking of sports, my conclusions are based mainly on its relevance to music rather than my personal expertise. Yes, the similarites between the two are enormous including obvious benefits as well as destructive consequences to mind and body among active paticipants or the enthusiasm and judgement of millions (though unevenly distrbuted) of spectators following their "real-life" heroes. Yet, the placement of music (or arts in general) and sports in public life and education is entirely different. Despite of many's believe that a healthy spirit needs a healthy body, we as a society are far away from educating the former due to our common unenlightenment and the notion that "big" money and glory come with running and kicking the ball as oppose to running fingers and kicking sounds is engraved in our life style and the economy.
We might argue that with the success of American Idol and its numerous spin-offs that our popular culture believes that talent, be it musical or otherwise, is only worth using if you have a chance at making it to "the top." We can see that our fascination with perfection influences our perceptions of what is noteworthy to listen to in Western Art music as well. Consider the popular NPR show "From the Top." Technical perfection is important and does it prevent others from even trying or continuing to make music? Think about it in this way, if a person next to me is reading a book at 300 words a minute and I am reading the same book at 50 words at minute, is my enjoyment of reading 16% of hers? And, does our obsession with technical/musical hero worshiping blind us to the notion that active involvement in making music is a worthy and attainable lifelong pursuit? And, if this is so, how might we alter our current rhetoric and pedagogy to support this aim?
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